The Newseum featured my work

In 2014, I was in the strange position of working at a newspaper covering racial unrest that was erupting in a little suburb — the same one where I happened to live. As I wrote that year, “That weekend was intense and surreal: I designed the front page of the Post-Dispatch each night, while watching on TV as my town convulsed with anger.”

The final front page for the St. Louis Post-Dispatch’s  Monday, Aug. 11, 2014 edition.

I designed numerous Ferguson-related Sunday and Monday A1s for the Post-Dispatch in the subsequent weeks, months and years (See some here). I remain proud of all that work. But it was the one from the second night that will forever be ingrained in my memory.

The Newseum is a unique museum in Washington D.C. dedicated to the role of the free press and the First Amendment in our country. I had heard from coworkers and friends that the Newseum prominently featured (and, I believe, continues to feature) Pulitzer Prize-winning photos from the Post-Dispatch’s Ferguson coverage. For a short time, the museum also had a Ferguson exhibit which included my front page.

Although our family has visited Washington somewhat regularly over the years, we never made it to the Newseum. It was so expensive and we were a young family. Even though it would have been personally meaningful to me given my profession, we couldn’t justify the cost the couple times we had a chance.

Earlier this year, I reached out to the Newseum to ask if they had any photos of the Ferguson exhibit featuring my page. They sent me this:

The “Protesting Ferguson” exhibit at the Newseum in Washington, D.C. The panel at the left features a front page of the St. Louis Post-Dispatch designed by Josh Renaud. (Republished with permission of the Newseum)

Pretty cool to see my work featured in that way.

Unfortunately, it seems I have run out of chances to visit the Newseum. Last week, the museum announced it would close at the end of this year. This is disappointing news and a sad mirror of the reality of our shrinking industry.

If you’re out there reading this, subscribe to a newspaper, would you? The free and independent press is a cornerstone of our democracy. We journalists need your support.

Remembering Benjamin Israel

Higher education had a term for folks like Benjamin Israel: “nontraditional student.” That applied to him in so many ways.

Benjamin died Monday morning. I wanted to share a little bit about his impact.

I first met Benjamin when I worked at UMSL’s student newspaper, The Current. Unlike the rest of us, he was older, with many years of journalism experience under his belt.

Continue reading “Remembering Benjamin Israel”

Cub reporter

From the vaults of the Renaud Empire, I bring you a recently-unearthed journalistic gem.

What is it? It’s Josh Renaud interviewing his father, Joe Renaud, sometime in the early 1990s for a school project. You’ve GOT to give it a listen. Josh is a pretty smooth interviewer, I have to say. And Joe was a pretty good interview. His anecdotes are top-notch!

I think it lasts roughly 20 minutes, which may be a little long for some of you. But the first 5-10 minutes are definitely worth it.

When news happens

Working at a newspaper is still an exciting thing to do, even if the future of the industry looks dim.

In the last week, I have had to work during two big breaking news stories. The first was the horrible shooting at ABB in St. Louis. The second was McGwire’s admission yesterday that he took steroids.

My job each time was to design informative, compelling pages. In such situations, there is a lot of collaborative work with my bosses and other designers. Also, important editors are frequently looking over your shoulder. Deadline looms.

It’s an environment I still enjoy and still thrive in. Here’s to hoping that newspapers survive their current morass so they can continue informing the public and serving as a check against abuses by governments or businesses.

Also, check out the Post-Dispatch’s work on the McGwire confession on the SportsDesigner blog